The arrival of FCP also coincided with the DV videotape format and while DV was originally intended as a consumer format, the quality far exceeded expectations. I had successfully put together a single, 30 second TV commercial entirely in Adobe After Effects, but that was an extremely slow and laborious process back then! At the time, I had been using Avid Media Composer and Media 100 at facilities but the cost of these systems meant that they were something that needed to be rented by the hour for most production companies. The radical change that Final Cut Pro brought to video editing when it was first released is hard to put into perspective now. Having been using Final Cut Pro since version 1, I’m very conscious of how the application has evolved and its changing place in the film & video world over the last two decades. There are few things that leverage all of these factors to the extent that editing and processing high resolution video does. The M1 and now the M2 processors have been such a big leap forward for video work because of the way that they combine high powered CPU and GPU processing with shared memory and low power and heat. Together, these two releases reflect where the iPad hardware has arrived with the “M” series Apple silicon. The other context, particularly for FCP is the recent arrival of DaVinci Resolve on the iPad as well. So the announcement of Final Cut Pro and Logic Pro arriving on the iPad was as much a surprise milestone as it was a destination that feels like it has been sitting just beyond the horizon for a long time. Their dominant position at the premium end of so many different market segments allows them to do something very few tech companies can do to the same extent… they can choose to play the long game. The answer to this question becomes quite obvious when you look at Apple as a whole. In fact, to many observers the question was not “why” but “why did it take so long?” Other editing and music apps have had success on the device for years and as the hardware has become increasingly powerful, the appeal of bringing the flexibility of the professional tools to the extremely portable and self-contained tablet system has been increasingly clear. Note: International duties & taxes may apply and are not calculated at checkout.In one sense it was inevitable that Apple’s flagship pro apps, Final Cut Pro and Logic Pro, would eventually make their way onto the iPad. Orders ship within 1-2 business days from our warehouses in Canada and the US. Note: The model number can be found on the back of your device:įast, insured and trackable flat rate shipping, $5 to the US and $10 to Canada with a 30-day no hassle returns policy.
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